https://www.charlottehaywood.com.au/work-1 daily 0.75 2013-08-26 https://www.charlottehaywood.com.au/work daily 1.0 2025-12-15 https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1552962399146-RSUXTPZFEEN6A2FLN6L2/CharlotteHaywood_EdHorne_CommodityFettish%26TheGods_KHolmes_134.jpg Projects - The Spice of Likes (2019) bamboo, rice, black pepper corns, cinnamon powder, turmeric, cardamon, cassia, nutmeg, water, air This work looks at past trade and spice wars and the future currencies of “likes” within social media, water and air. https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1402463123723-F6C5W5QMXV7JJQ7STI5T/dirtydeedsinstitches.jpg Projects - Dirty Deeds (2012) Dirty Deeds Synaesthesia code Eastern Bloc Gallery In Stitches Collective (Claire Conroy, Charlotte Haywood, Michaela Davies) Single Chanel Video with Sound, Organza Dirty Deeds is a contemporary visual opera that restructures the music of ACDC into a pictorial grid that physically floats through the gallery. The installation embeds itself within the intellectual traditions of textiles and the codification of pattern inspired by Joseph Jacquard whose weaving loom is attributed to being the first computer. Michaela Davies, Claire Conroy and Charlotte Haywood have extended the tradition by creating a unique code to represent the music. Filled with colour the installation references the ‘visual music’ traditions of Australian artist Roy De Maistre, utilising his system of correlating the light spectrum to musical notes. Dirty Deeds Done Dirt Cheap uses the sensibilities of synaesthesia to separate forms and create disorientation. The work highlights revelations in technology and innovation of the past while using Australian music titles to question current innovation in Australia, particularly in primary industries. https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1456705956309-FSPAQ21IACP3JNSGVM1Y/Tell.all.jpeg Projects - Tell all (2015) Installation view + Edward Horne, Khun Derek, Rampad Kothkaew Aluminium, watermelon, banana leaf, single channel HD video 2.04 mins TELL ALL borrows designs from Haywood’s past interrogation of an Australian colonised landscape. Here Haywood applies Australian motifs within Thai cultural crafts, applying alternative social and cultural meaning while experimenting with ideas of oneness and other through cultural gesture. The shimmer of hand beaten aluminium, reflects the tradition of the 700 year old Thai repoussè technique, whilst fused with the cultural twang of fruit carving. Another 700 year old technique, although now, mainly found within a 'farang' or touristic context. The borrowed craft techniques create an absurd introspection of one’s culture and the customs that surround it. Culturally charged concepts are exchanged from one to the other. Haywood asks the Thai culture and indeed her own to ‘Tell all’- in an explicit and animated act. https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1402464260878-YONOA2E1FGOK1NZL5BV3/IMG_5891.JPG Projects - The Collective Mind (2010) with Claire Conroy + Michaela Davies Carriageworks Re-purposed Hyperbolic Crochet made up of over 370 individual contributors. https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1403695099626-85HD5O2GFABY9L4A32VL/CondoRoost2.jpg Projects - Condo Roost (2014) with Edward Horne Concrete, steel mesh, solar panels, water 2m x 1.2m x 0.4m The Condo Roost envisages an "alternate" lifestyle for the migratory birds that inhabit Long Reef. Amenities will include a clubhouse lounge, 24-hour security, an 18,000-square-foot outdoor pavilion complete with a putting green, bocce ball court, walking trail, private half-acre park, private picnic area, a dramatic two-story lobby with atrium, glass-walled fitness center overlooking the pool with a separate yoga studio, and eco-friendly electrical services using solar powered energy. An avian-scale sculptural parody imposing human size cultural values upon the landscape of the shorebird. Highlighting the increasing loss of their habitat. The Corbusier inspired sculpture is a single poured concrete form. https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1402456535015-WOHDBAO8Q372JUGJM8OG/EitherNeither.2.jpg Projects - Either, Neither (2012) Circular saw, feathers 30cm x 28cm x 46cm Photograph Justin Russell https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1670829137016-0TP35B6991BXG145AFVJ/5.Everyday-Grief-Amazonas-Video-still-artist-Charlotte-Haywood.jpg Projects - EVERYDAY GRIEF (2019) Charlotte Haywood + La Bandita de Cocachimba 03:21 HD video with sound https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1547701648053-K26QRTLZM3U2GTJJHX8F/Green-Asylum-detail-CharlotteHaywood-Artist-MichelleDunn-Image.jpg Projects - Green Asylum (2017) detail- life jackets + tarp 3.8m x 2.2m x 4m life jackets, tarp, baby’s blankets, army issue blankets, picnic blankets, blankets, sheets, quilt covers, towels, sportswear, active wear, leisurewear, formal wear, polo shirts, business wear, mourning wear, high-vis wear, shade cloth, agrimat, jackets, jumpers, polar fleece, council banners, string, detritus, auscam, desertcam, urban cam, furniture grade steel. Furniture grade steel armature: Horne Art Studio. Charlotte Haywood’s experimental architectural tapestry and video work forages within the Australian landscape, seeking narrative and language, from the past-present-and-future. In Green Asylum, Haywood looks at flux. She explores multimodalities of landscape, culture, narrative and communication. Materiality and tactility are key in these works – the large-scale tapestry weaving embodies cultural practices and rituals that are symbolic of various forms of living, and includes re-purposed hospital blankets, tarps, uniforms, high-vis safety gear, life jackets, dressing gowns, sheets, mourning attire, towels, active wear, camo, shade cloth and babies’ blankets... Within this context, the woven allegorical imagery highlights the shifting values of the land with its past-present-future ‘architectural’ practices and multimodal knowledge systems. The form is influenced by ephemeral, temporary and sacred shelters, specifically the structures of Indigenous Australia, Asia, Euro-centric steeples and refugee tents. Creating a multi-threaded or multi-narrative and multi-functional architectural form. Using the allegorical and material motifs as currency, video works from diverse cultural and linguistic groups within Australia exhibit the gestures of the hand as a form of communication and action. Describing cultural practices, knowledge sharing, navigation, ‘emoji’ and language. Reminding us that actions speak louder than words as landscape and language take form. Image: Michelle Dunn https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1622494187082-WP0JKTXPCPWKMGZWU3V7/3.CharlotteHaywood-Viriditas-crystal+detail-photo-MichelleEabry.jpg Projects - Viriditas (2021)- detail collected Tasmanian Bull Kelp (Durvillaea potatorum) and stipes from Tasmania, salt derived from land grown Sarconema seaweed, Bribie Island, QLD (Seaweed Research Group, SCU), Himalayan pink salt, Pakistan, found pumice from 2012 Havre seamount eruption of Kermadec Islands, New Zealand (School of Earth & Atmospheric Sciences QUT), beach sand, NSW, Found drift wood, copper wire, copper tube, found copper funnel, U.S.A, found recycled glass demijohns, Spain, bamboo, gifted conch shells, blue tooth speakers, MP3, Lisa’s song played on kelp stipe by Pedro Espi-Sanchis, sodium alginate, calcium carbonate, agar agar, citric acid, H20. ACKNOWLEDGEMENTS + COLLABORATORS: Music: ‘Lisa’s Song’ performed by Pedro Espi-Sanchis on a seaweed (Ecklonia) stipe flute Sarconema Salt + Seaweed Research: Professor Nick Paul, Dr. Alexandra Campbell, Dr Libby Swanepoel and Ana Wegner of the Seaweed Research Group, USC. QLD; Pumice: Dr Scott Bryan and Joseph Knafelc from School of Earth & Atmospheric Sciences, QUT. QLD Mould making consultant: Clinical Anaplastologist Sophie Fleming from Prosthetic Art Technology (PAT), NSW; Experimental Seaweed platform: Lichen Kelp from Seaweed Appreciation Society international (SASi), VIC; Beach cast Tasmanian Bull Kelp (Durvillaea): collected by Chris Russell from Kelpomix, Devonport, TAS; Title + artwork inspired by Robin Wall Kimmerer and Donna J.Haraway. https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1623723856192-BWISGGXCZPY71P85PKZY/Here-and-Now-peanut-tree-seedpod-Artist-Charlotte-Haywood.jpg Projects - Here + Now (2021) Brisbane City Botanic Gardens (Detail of peanut tree seedpod ) Bamboo, pink LED neon, hose clamps What are the ‘signs’ in the landscape? What smells, sounds or sights keep us present, signalling the time of day, the season, a moment in an ecological cycle or our interconnection? Drawing our attention to the thresholds of time and place, HERE + NOW asks through what lens do you see the significant pointers in our landscape? The work is a whacky blend of pop botanica, “utopia” and phenomena; highlighting the authority of Indigenous Ecological Knowledge, the democratisation of science through agency, and the significance of the relationship between community and ecology with the goal to highlight nature’s equity that nurtures all. ACKNOWLEDGEMENT: Artwork created in conversation since 2018 with Mbabaram Traditional Custodian and Senior Ethnobotanist, Gerry Turpin from the Queensland Herbarium, Department of Environment and Science, Tropical Indigenous Ethnobotany Centre, Australian Tropical Herbarium, James Cook University. To the Jagera and Turrbul Peoples of Brisbane City, and all Traditional Owners across Australia and the Torres Strait whose authority of Traditional Ecological Knowledge is paramount, I offer you my deepest respect. Title inspired by Aldous Huxley’s Island-1962. https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1402462043810-9LBM5HKU9KKDL3GRYWAP/BlueOrangeInstallation5.jpg Projects - Blue, Orange (2011) (Installation view) HD Video, sound, manhole guard, synthetic canvas, stool, thermos, lantern, tea dyed shoe laces, up cycled high vis polo shirts, cotton warp, perspex Blue,Orange contemplates a contemporary Australian Landscape and the relationship between humans and nature within it. It examines the set of symbols and pointers brandished upon the earth by humans, the dogmatic creed epitomized by high vis fluoro colour that blatantly polarises the lands nakedness https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1709862349131-4JPE9ZK5VCHNRTP4SNSW/Mnemonic_Vegetables_Charlotte_Haywood_Reverence_Protest_1.JPG Projects - Reverence + Protest/MNEMONIC VEGETABLES Reverence + Protest/MNEMONIC VEGETABLES: 17 FEBRUARY - 7 APRIL 2024 @ The Lock Up, Newcastle with invited artists Kylie Caldwell, Helle Jorgensen, Immortal Soil, Sue Simpson, Shellie Morris, Emily Lubitz, Jennifer Williams, Tilly Hewett, Pedro Espi-Sanchis, Michelle Chapman, Chris Brown, Peta Lumley, Jaimee Frances Edwards… In response to the potent site of the Lock-Up and Muloobinba/Newcastle as the world’s largest coal port and place of environmental activism, Haywood looks to co-venerate plant-human relationships through a symbiosis of protest and reverence. MNEMONIC VEGETABLES helps us ‘remember’ our connection to the living plant world, Mother Earth and each other. The works look at multi-modal mnemonics-or-memory devices, through our relationships to story, mythologies, melodies, dance, landscapes, the plant ‘Queendom’, ecologies and ourselves. Multi-layered stories of plant- knowledge, places, practices, materials, networks and collaborations are honoured through shared process, relationships and sometimes form. MNEMONIC VEGETABLES combines botanical works, installation, multi-channel video, music, community workshops, performance, drinkables and exchanges. https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1730767380877-RZ90XVUGHX6X22HEKG0Q/030_Charlotte_Haywood_2024_VAFE_Exhibition_Artspace_credit_AnnaKucera.jpg Projects - MYTHKIT : resonance + manifestations (2024) Mythkit : resonance + manifestations delves into biodiversity through the intricate lens of coevolution, exploring the self-organising nature of life. Through observing orchids' extreme forms and varieties, influenced by climatic and interspecies relationships, Haywood provokes future reflections on our own coevolutionary relationships and responsibilities. She is committed to the role of the artist in ecological collapse, tasked with forging new narratives and relationships, highlighting interspecies interactions in tangible forms—materials, sounds, and tactile experiences. Tacit narratives invite us to navigate liminal spaces of encounter and new experience, hospicing and welcoming change; cultivating care/joy amidst the sixth mass extinction. Mythkit is a mnemonic allegory of futures, witnessing, listening, unravelling and remembering. An activism of materiality and collaboration, inhabiting ecology without ownership. By mimicking and mirroring nature/life strategies, emergent stories of biotic cohabitation are woven into fruition, embodying evolutionary activism in a decaying modern world. Small Tongue Orchid (Cryptostylis leptochila) pseudocopluation, pheromone sensory trap (2024) banana fibre processed with Helle Jorgensen, Corn husk, agave fibre-collected in Mexico, hemp fibre, bamboo fibre, NPY Women's Council Raffia, remnant stainless steel 49 x 95 x 27 cm Evolutionary biologist: Dr Katharina Nargar, Australian Tropical Herbarium, JCU. Armature: Edward Horne (Horne Art Studio.) Orchid Sonic Weaving, 2023 with Sue Simpson, Natalia Lagi'itaua Mann, Merindi Schrieber, Katharina Nargar, Loni Fitzpatrick, and Michelle Chapman voices, viola, harps on Buluwai Country, QLD; field recordings on Eastern Kuku Yalanji Country – Daintree Rainforest, QLD, and Bundjalung Country – Mount Jerusalem, NSW; interviews with evolutionary biologist and orchid specialist Dr Katharina Nargar, Australian Tropical Herbarium, QLD, and environmental scientist and rainforest seed specialist Michelle Chapman, DNA amino acid translation, saw, piano strings, synth Viola, Saw, Body Percussion, Synth, Vocals- Sue Simpson Harp, Vocals- Natalia Lagi'itaua Mann Lead Vocals- Merindi Schrieber Harp, Vocals- Loni Fitzpatrick Synth, Piano Strings, Percussive Ukulele, Body percussion, Pepper shaker- Charlotte Haywood Spoken word- Dr Katharina Nargar, Michelle Chapman Sound recording- Charlotte Haywood + Sue Simpson Track mix/Sonic weaving- Charlotte Haywood 19 minutes 32 second https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1572987111449-PQRO98FC5QSDPTI9D60M/Antipodes..jpg Projects - ANTIPODES (2015) shoe laces, silk, cotton, lycra, polar fleece 77cm x 64cm Photograph Justin Russell This body of work uses the metaphor of invasive, introduced, hybrid, native and mythological species of flora and fauna within the landscape as reminders for a re-examined shared history of Indigenous and Non-Indigenous Australia. It is poignant in its use of symbols of flora and fauna, a reference to the botanical classification and collection of Indigenous people and cultural objects. The ANTIPODES is a Western construct that depicts an exotic and faraway place, romanticising the landscape. This work is symbolic of ‘ideas’ of Australia, the other side of the world, where the seasons and phases of the moon are reversed, the trees shed their bark and the swans are black... The Indigenous black swan and the english white swan are embodied within an ‘exotic’ elk horn species https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1736206925197-331NYJAEESUMINLQ5IPT/image-asset.jpeg Projects - Wildskin (2024) Lismore Showgrounds Site-specific Norpa Theatre production Production + Costume Designer Directors: Julian Louis, Heather Fairbairn Co-Lighting Designers: Alex Tourney, Padi Bolliger Sound Designer: Matt Blackman Movement Director: Jade Dewi Tyas Tunggal Performers: Sara Browne, Cass Duell, Kate Foster, Melia Naughton, Jade Dewi Tyas Tunggal Set construction: Edward Horne Stage Manager: Erin O’Shea Production Assistant/Assistant Stage Manager: Vanessa Kellas Project Production Manager: Jake Dix Photo: Kate Holmes https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1402465777744-YBBBMQ04EOSIXNMWATXO/NewNomadicLiving.jpg Projects - New Nomadic Living (2008) Sculpture By the Sea Collaboration with Edward Horne Canvas, Felt, PVC, Rope, Eyelets, Aluminium, Steel, Timber, Steel CHS, Hills Hoist Mechanism Questioning land ownership,our needs and conformity. https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1677047274870-5H3B2K5GT8ZCHOIA6XWB/Green-Sea-Turtle-Public-Art-Artist-Charlotte-Haywood-Edward-Horne.jpg Projects - GREEN SEA TURTLE (2022) Lennox Head, NSW Commissioned by Ballina Council home grown + milled blackbutt timber, local sandstone, copper Fabrication: Horne Art Studio. Photo: Josh Raymond https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1660962139134-5T7U70U49MBTBZBMCZBP/TheWayfinders_MnemonicVegetable_K_Hokmes.jpg Projects - THE WAYFINDERS (STILL) FROM THE EXHIBITION MNEMONIC VEGETABLES (2020) MNEMONIC VEGETABLES Charlotte Haywood with invited artists Edward Horne, Kylie Caldwell, Sue Simpson, Shellie Morris, Nini Nahri Galis, Tilly Hewett, Helle Jorgensen, Chieko Klerkx, Emily Lubitz, Selena Murray, Kate Ratner, Jennifer Williams MNEMONIC VEGETABLES helps us “remember” our connection to the plant world, Mother Earth and each other. Through recent residencies at the Tropical Indigenous Ethnobotany Centre (JCU) Cairns, GoctaLab- Amazonas, Peru, various locations in Mexico and the participation of invited guests; multi-layered stories of plant knowledge, practices, materials and collaborations are honoured through shared process, relationships and sometimes form. An exhibition in two parts, MNEMONIC VEGETABLES combines the work of Horne’s large-scale outdoor memory circle- The Balancing Act installation in The Quadrangle, with wall works, installation, multi-channel video, community workshops, performance and exchanges by Haywood and invited artists. The works look at multi-modal mnemonics-or-memory devices, through our relationships to story, mythologies, melodies, dance, landscapes, the plant kingdom, ecologies and ourselves. In this way, the artists create a shared space for reverence and remembrance of our connection to the plant world, the living planet and each other. The artists would like to thank: Gerry Turpin, Sarah Bolt, Wade Davis, Lynne Kelly, Robin Wall Kimmerer, Hamish McCormick, Sinem Saban, Lauren Tynan and Tyson Yunkaporta. They acknowledge that works and materials are exhibited and made on the Lands of Widjabul Wya-bal, the greater Bundjalung Nation, Kunwinjku and Githabul peoples; the continuous Traditional Custodians maintaining Land, Culture and plant Knowledge; and that sovereignty was never ceded. Materials have been sought to honour seeding + sustaining positive earth relationships. They have either been harvested and processed locally (Wilsons Creek, North Tumbulgum, Brunswick Heads, Lennox Head, Main Arm, Woodburn) or received through fair trade with responsible harvesting and processing from Gunbalanya community, Arnhem Land, Araliya Community Company, Sri Lanka, and Yucatán, Mexico. The felled trees for The Balancing Act were part of fire mitigation and will be continually honoured through further artworks and activations. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1730845738491-XW3XV8YY9ZV77039XXHE/image-asset.jpeg Projects - H U M U S H U M U S project Ma’Umi MAP Ocean Ishigaki Island, Okinawa, Japan 30 May-13 June, 2023 Cultivating fertile sensory “gardens” for collaboration and coexistence. With: @horne_art_studio @rumihale @tatsu.rodoriguez Lennox Horne Oberon Horne @map_ocean @ff_fujita @ma_umi_residencies Post typhoon rain Frogs Conch shell Gourd Bamboo nose flute Beach detritus #ishigaki#island#people#humus#project with #rain#frog#chorus cultivating #fertile#gardens for #collaboration#selfassembly#sensory#sonic#garden#elemental#improvisation#noseflute#conch#shell#gourd#music https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1730939849171-VPPC9KNIDDZHFTM2AQ2B/CharlotteHaywood-6.jpg Projects - Same time/Same place (COEXISTENCE); a MULTISPECIES (KARAOKE) OPERA? (2024) Same Time/Same Place playfully explores the idea of a multispecies ephemeral opera set on Wilyakali and Barkandji Country in the arid zone of far west NSW; a resilient and adaptive ecology that experiences dramatic changes from dormancy to abundance. Triggered by the phenomenon of rain, the seemingly sparse landscape can burst into life with shimmering crescendos of colour and movement - of wildflowers and flocking birds. Creeks spontaneously flow, synchronising frogs to wake from aestivation (dormancy). In this multispecies chorus, duets and intertwining arias emerge, signifying the cycles and interconnection of life. Bringing together human and non-human voices as if place itself conducts the opera. Looking to unravel and expand traditional notions of opera as a multisensory provocation, Same Time/Same Place is part ecological doco, part sonic tapestry, part scenic art saga, part experimental community flash mob; made up of many parts, reading the landscape like a musical score, and invoked through democratic means of workshops, participation, sampling, collective making, shape notes…. karaoke?! Weaving an interconnected tapestry of sound and movement through place-based acoustics, composition, form, materials and colour. Becoming a democratic and collective act. Braiding multispecies song, community body percussion, choreography inspired by swarm intelligence, myrmecochory (seed dispersal dance by ants), collective behaviour and Broken Hill’s social history as the cradle of the Australian union movement, and further the way living beings respond to and navigate each other and their environments. Like a spontaneous dance where no one knows the steps, but everyone moves in harmony. https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1402551728053-AK737PNK6W1PERRSN4DN/4_network_image_300dpi.jpg Projects - Sydney Reef Network Image (2008- 2009) In Stitches Collective- Charlotte Haywood, Claire Conroy, Michaela Davies Museum of Applied Arts + Sciences (Powerhouse Museum), Sydney A community arts collaboration with over 370 contributors. Bringing together people who have interests that cross mathematics + environmental science, traditional craft and contemporary art practice. In Stitches Collective ran workshops for a year across Australia tracing hyperbolic networks to view the relationships built through such a large scale collaborative artwork. The exhibition took place during the Sydney Science Festival from the 21st to the 30th of august 2009. The SYDNEY REEF is a satellite of the worldwide Hyperbolic Crochet Coral Reef project created by Margaret and Christine Wertheim of the Institute for Figuring in Los Angeles. https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1710378881835-FU5QRY5RMPB9CF1MBAQP/Rappville-Creative-Recovery-Charlotte-Haywood-Artist-ice-cream.jpg Projects - Rappville Creative (2020-2021) A creative recovery project of site-specific gifting and ecological restoration for the village of Rappville, a Richmond Valley Community devastated by the fires of 2019. This project was commissioned by Arts Northern Rivers, CREATE NSW, Richmond Valley Council. Rapp-berry Delight Ice Cream Flavour Ice cream inspiration was gathered through local narratives and historical recipes. Ingredients including bush honey, lemon myrtle, bush lemon and mulberries were seasonally collected from Rappville gardens and local surrounds. Wal Foster of Natural Ice Cream Australia, who experienced the Nymboida bushfires of 2019 was a collaborator in creating the Rapp-berry Delight. The Rapp-berry Delight Ice-Cream flavour was created as a DIY video tutorial, make at home recipe included in the Rappville Community Cookbook with an accompanying site-specific musical score, the Rapp-berry Ditty. Do you think art can be healing? Rappville Creative also included the participation of artist Lyndall Phelps who recreated a historical tablecloth indicative of the village, collaborated with local bush poet Steve Cavenagh and created historical photo banners and community photographic exhibition. https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1692064592939-5C8EN18EWB5GJEA8Q7NM/image-asset.jpeg Projects - Future Nostalgia: Implicit Ecology (2023), Meanjin/Brisbane Outer Space Gallery, Judith Wright Centre of Contemporary Arts adaptive dance, site-responsive music, score 19:32 mins, 3 way video 19:32 mins, installation, ecological edibles, sculptural weaving, DIY water harp catcher, costume IMPLICIT ECOLOGY is phenomena. “Nature” self-assembling. Co-creating. Co-decaying. To become again. Together again. Assemblages of ecologies as human, plant, animal, bacteria, archaea, beings, songs, food. Dancers: Maxwell Douglas (Thv Flood) Lambert Majambele Kaleb Addison-Ballangarry Josh Simpson Sonic Artists: Sue Simpson Natalia Mann Merindi Davies Loni Fitzpatrick Charlotte Haywood Self-assembly. Assemblage. Symbiont. Holobiont. Hologenome. I am not a noun. I am an ecology. FUTURE NOSTALGIA looks at emergent narratives of the future through our collective relationships to song, dance, craft, food, ecologies, ourselves and each other. Drawing from evolutionary ecological research and restoration, speculative fiction, surrealism, eco-philosophy and biomimicry, FUTURE NOSTALGIA works to congeal collaborating participants and networks of knowledge. Song. Music. Detune to tune in with nature as our teacher. Ecology. Art as conduit. Biomimicry. Textiles. Costume. Installation. Sculpture. Myco Punk. Reweaving. Reimagining. Future Nostalgia. https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1402530419685-6T5LRJBT8N31ZF7W6D31/image-asset.jpeg Projects - Lead me up the Garden Path (2011) Collaboration with Edward Horne and Michaela Davies Cardboard, light, turntable, paper A provocative salute to the Russian Mid-Century poster artists. https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1442407701134-BGTDRUXJ9PRHOYAWCDGJ/image-asset.jpeg Projects - Yumi Blong HD video with sound 4:26 mins Collaboration with Edward Hinge, Jeremy Sheehan + Amanda Bishop Port Vila, Vanuatu Island Innovation Lab 2014 The work uses as metaphor for the introduced, the Indian Myna bird and contemporary communication systems represented by the tower of Digicel. Through the use of sandroings, which are used to communicate between the 80 different language groups of Vanuatu, Senior Knowledge holder, Edgar Hinge develops a new motif to describe the Indian Myna in the ni-Vanuatu landscape. This also becomes metaphor for plastics, in fact for the introduced Western world.   https://www.charlottehaywood.com.au/test-new-gallery daily 0.75 2015-07-23 https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1437647046516-WJDGNHXL1X2E47X2PCUY/1.mern.food.jpg Test New Gallery https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1437647046516-WJDGNHXL1X2E47X2PCUY/1.mern.food.jpg Test New Gallery https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1437647046433-7IJBQ7KAQJKVDF7OD5AJ/2.ngati.mother.jpg Test New Gallery https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1437647046892-7O2ZCTWOZ80TL2QUN1ZA/3.areng.rockwallaby.jpg Test New Gallery https://www.charlottehaywood.com.au/showreel daily 0.75 2025-01-07 https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1736211794699-BOA66NM5ZN08CSH58HC6/image-asset.jpeg Showreel + Artist Talks - Charlotte Haywood: interdisciplinary artist https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1736211794699-BOA66NM5ZN08CSH58HC6/image-asset.jpeg Showreel + Artist Talks - Charlotte Haywood: interdisciplinary artist https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1736212037166-HGDQFVSWRIESQ6WWQ13Q/image-asset.jpeg Showreel + Artist Talks - Charlotte Haywood/artist talk/ Future Nostalgia - 2023 https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1594956382510-X1NG77SR0IN4OJ4XC9OG/image-asset.jpeg Showreel + Artist Talks - Video Installation Showreel 2020-Charlotte Haywood Everyday Grief (2019), Tell All (2015), Sharing Action (2017-...), Yumi Blong (2014), Blue-Orange (2009) https://static1.squarespace.com/static/5397c4fde4b03c0364dd53ab/56b008881a5203d11aa238f6/56b008b417e4f1dec1894837/1454377140911/ Showreel + Artist Talks https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1548809064729-ZQZ20JSMXWWGJX30IKAN/image-asset.jpeg Showreel + Artist Talks - Haywood + Horne https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1512613755948-9ZP4XPB6RN5QVXFK97VC/image-asset.jpeg Showreel + Artist Talks - Charlotte Haywood 2017 https://www.charlottehaywood.com.au/gipfel-avenue daily 0.75 2024-03-12 https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1697069582741-4A9NZY1JW626XCFQDKLI/FutureNostalgia_artist_Charlotte_Haywood_Photo_MMarzik-12+copy.jpg Future Nostalgia https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1697069582741-4A9NZY1JW626XCFQDKLI/FutureNostalgia_artist_Charlotte_Haywood_Photo_MMarzik-12+copy.jpg Future Nostalgia https://images.squarespace-cdn.com/content/v1/56d4a125e707eb7a02e4055f/1456778343214-6EXQ3R8UIDEWLZZQ3UYP/65.jpg Future Nostalgia https://images.squarespace-cdn.com/content/v1/56d4a125e707eb7a02e4055f/1456778401911-NT5IA88VG1GTQ9Q9RLL9/66.jpg Future Nostalgia https://images.squarespace-cdn.com/content/v1/56d4a125e707eb7a02e4055f/1456849773022-QZ1PXXQ7SKUNRLKY766U/67.jpg Future Nostalgia https://www.charlottehaywood.com.au/about daily 0.75 2025-12-03 https://images.squarespace-cdn.com/content/v1/5397c4fde4b03c0364dd53ab/1556252288319-VB6TJYUXNUBYT0KFLPQU/CharlotteHaywood-Artist.jpg About